[SPOILER ALERT – YOU HAVE BEEN WARNED]
When I was four years old a film was released that has since been a wonder for millions all over the globe, it had some of the most innovative special effects in film history, and did more to update the public perception of palaeontology than any museum or university field program could ever hope to achieve.
(if my memory serves me correctly) I first saw Jurassic Park in 1995, when I was six, when it first aired on the TV here in England. Besides knowing that I hid behind our family sofa from the T-Rex when it was gorging on lawyers and smashing up cars on that magically appearing concrete cliff, the one emotion that abides with me even now is one of childlike wonder and excitement at the creatures on the screen. They were so real, so present that I could not believe they were anything but extant, living beings. No longer extinct creatures confined to the rocks in Montana and the Isle of Wight.
I’d loved dinosaurs for as long as I could remember at that point, in no small part thanks to the VHS tapes that my parents bought for me (speaking of which, I must convert those to DVD soon). But as I grew older I learned about acting, CGI became so common in movies that you aren’t even sure the actors are real any more, and I watched as science enhanced our knowledge of the dinosauria beyond anything we could have dreamed of in 1993. We now have theropod dinosaurs – incuding some pretty big ones – with fillamentous integument (proto-feathers), we even know what colour archaeopteryx’ feathers would be. We’ve seen palaeoecology take off wildly, and study of the dinosaurs in relation to their environment as well as just their bones. And we’ve even managed to find out the colours of the insects that they shared their world with.
And over time, the magic dulled.
It’s never gone away of course, I can still feel it whenever I watch the original film, and even to an extent when I watch Jurassic Park; The Lost World (I won’t speak much of JP3). But as I’m sure you may imagine, when I heard about Jurassic World I had some very high hopes… the question is, would it deliver.
Let’s just stop and talk about some of the inaccuracies though, before we get onto whether or not my expectations were met. Darren Naish published a very good (and frankly spot on) criticism of Jurassic World last week on the CNN website which captures my biggest problem with the backpeddalling from feathered raptors in JP3.
“What John Hammond and InGen did at Jurassic Park is create genetically engineered theme park monsters“ – Dr. Alan Grant, JP3
Yes, Yes they did, they’re not “real” dinosaurs so we (presumably the palaeontological community) should shut up about it. This is the line that the film takes when it comes to the accuracy of Jurassic World’s creations, incidentally it’s also the line that TellTale’s Jurassic Park PC game took (don’t play it, the control scheme is awful) which is fair enough, the film-makers may be able to shut the scientists up but they can’t ignore them.
However, for a film series whose legacy to the world was bringing the public’s perceptions of dinosaur science out of the 18th century and into the 20th, it has, through a desire to make money/maintain continuity (or something like that) kept the public’s perception very much in the 1990’s as far as the look of the dinosaurs goes. I suppose we can all be thankful that the BBC’s excellent “Walking with” series’ picked up the baton and ran with it long before JP3 ever entered production, let alone Jurassic World.You might be able to say that they up-played the raptor’s intelligence, or that they got better at the herd behaviour. but that’s not what people will remember, they’ll remember trikes dragging their tails, pterosaurs flying off with people, and a mosasaur that is at least twice the size of any known mosasaur.
Add to all this the attempts the film makes to shoehorn in some “comedy gold” cliche – the cinema did erupt into laughter at it but it was terribly immersion breaking – and the at times strained nature of the militarisation of raptors story line, and it could have ruined the film completely.
So why didn’t it?
In a word; Magic.
I’m probably not going to be able to put this very well, but I spent the first half of the film trying to be cynical and watch the film objectively. But at some time around the half-way point Zach and Gray – this film’s Lex and Tim – are stumbling through the forest after escaping the Indominus rex and they come across an old, overgrown door; Instantly recognisable to anyone who saw the first film.
And suddenly it’s as if I am six years old again, I felt all the same emotions and feelings as I did watching Jurassic Park for the first time. The magic was back, If I hadn’t read somwhere that the original visitors centre from the first film was destroyed by a Hurricane after the first film’s release, I would swear the film crew had just walked in after the forests of Kauaʻi had reclaimed it. Anyway, the inaccuracies didn’t matter so much any more.
There were other redeeming features to this film as well, the eccentric CEO, Simon Masrani, brings many of the endearing characteristics of Richard Attenborough’s John Hammond to mind, while obviously having a similar vision for the park, and his own foibles… Who else would fly a helicopter into a combat situation without being able to autorotate? The fact that the man dies due to the actions of his creations was a lovely nod to the books and the people who actually read them as well (wherin Hammond is killed by the compsognathus’).
The character of Lowery also harkens back to characters from the previous movies, Ray Arnold and Ian Malcolm, and his workstation reminded me of the character Wash from Firefly… He’s probably my favourite of the film’s main characters, in no small part for the way he’s clearly a convert to Hammond’s initial vision.
So yes, the film has more than it’s fair share of errors in the science department, and it’s quite possible that my fanboy-ism and nostalgia are holding more sway than four years of a geology degree and three and a half as a “professional” palaeontologist. But you know what. I don’t care; nobody in palaeontology ever took me seriously anyway.
“What they did, it was real…” – Lowery, Jurassic World
If only it were.